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Who will buy this for me?

Soshanna

Palm Beach Floral Strapless Romper $350

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jackie2heritage.jpg Andy Warhol - Jacqueline Kennedy II  - front unframed image by foxmusic

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So do gentlemen really prefer blondes? Jena Pincott, the author of The Science Behind Sex, Love and Attraction, says some of it is biology and some of it is culture.

"Blonde hair just really stands out more," she said.

"If blondes have an edge, and some studies indicate they do, it's really because blonde hair pops out and is more eye-catching.

"In Scandinavia, men say they prefer brunettes because brunettes are the minority there and are perceived as more exotic."

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Gov't Mule

Sco - Mule (Instrumental) by Gov't Mule  
(download)

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Don't worry about people stealing an idea. If it's original, you will have to ram it down their throats. -Howard Aiken

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Back in Westchester for summer...time to play

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My new favorite

  
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Dr. Dog

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Photo Op | Richard Avedon at the I.C.P.

By BEE-SHYUAN CHANG
Richard Avedon PhotosPhotos courtesy of the Richard Avedon FoundationNaty Abascal and Ana-Maria Abascal with Helio Guerreiro, bathing suit by Brigance, Ibiza, Spain, September 1964. Photo by Richard Avelon.

What is the difference between fashion and fine art photography? Perhaps no photographer was more plagued by the dichotomy (if there in fact is one), than the late great, Richard Avedon, who pretty much disowned his fashion work in favor of his large format portraiture. The exhibition, “Avedon Fashion 1944-2000,” opening May 15 at the International Center of Photography, presents this disowned work as a seminal body of fashion photography. And none of it looks at all shabby. Co-curator Carol Squiers notes, “Fashion photography we know nominally as a woman in a dress. It’s a beauty picture with a commercial purpose to sell something. But with the best fashion photographers, it was not about promoting a particular dress. You have them doing extraordinary things.” (See the slide show below for proof.) According to Squiers, in Avedon’s view, fashion and portraiture were one and the same. “I can’t speak for him,” she says, “but my interpretation of things is that he was attacked in the late 60s for being a fashion photographer and felt he had to be taken seriously. He was never about beautiful women anyway. He was always digging into a more complex mood.”


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